Season
1981-82
Play
Lunchtime Theatre 1981-82
Run Dates
June 16, 1982–June 27, 1982, Bloomsdays
July 12, 1982–July 16, 1982, Double Bill: Overtones & Lemonade
July 19, 1982–July 30, 1982, Straight Ahead
August 2, 1982–August 13, 1982, Canadian Gothic
August 16, 1982–August 22, 1982, No Exit
Header image features: Janet Michael (left), Leon Sobieski, Mary Lewis. LSPU Hall file photo.

Playwright
- Jean-Paul Sarte No Exit
- Joanna Glass Canadian Gothic
- James Prideaux Overtones & Lemonade
- Alice Gersternberg Overtones & Lemonade
- James Joyce Bloomsdays (Source Material)
- Mary Walsh Bloomsdays (Adaptation)
- Andy Jones Bloomsdays (Adaptation)
Director
- Jean-Paul Sarte No Exit
- Donna Butt Canadian Gothic
- Leon Sobieski Straight Ahead
- Rick Boland Overtones & Lemonade
- Andy Jones Bloomsdays
Cast
- Mary Walsh Bloomsdays Performer
- Janet Michael Straight Ahead & Canadian Gothic Performer
- Mercedes Barry No Exit Performer
- Philip Dinn No Exit Performer
- Michael Wade No Exit Performer
- Leon Sobieski No Exit & Canadian Gothic Performer
- David Ross Canadian Gothic Performer
- Mary Lewis Canadian Gothic & Overtones & Lemonade Performer
- Mary Lynn Bernard Overtones & Lemonade Performer
- Deirde Greene Overtones & Lemonade Performer
- Lisa Moore Overtones & Lemonade Performer
Description
Bloomdays: Selections of the works of James Joyce adapted for the stage by Mary Walsh and Andy Jones.
Overtones: The comedy begins as envy and bitterness emerge when two old friends meet for tea, with their primitive baser selves egging them on.
Lemonade: The play explores the lives of two middle-aged housewives when they escape their mundane existence by selling spiked lemonade on the highway and inventing alternate lives for themselves.
Straight Ahead: A play set on a farm after the Second World War. A young woman contemplates the men in her life: father, husband, lover: an angry, funny, highly compassionate expose.
Canadian Gothic: A bittersweet story of inter-racial love set on the Canadian prairies.
No Exit: Everything you ever wanted to know about Hell, but were afraid to ask: a classical, engaging, and oft-times wickedly funny play.
Production type
- RCA Production
Producing Partners
- Rising Tide Theatre